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Marajo: Ancient Ceramics from the Mouth of the Amazon Margaret Young-Sanchez Denver Art Museum 2 Revised edition


11th July 2013 History Books 0 Comments

Margaret Young-Sanchez is Chief Curator and Frederick and Jan Mayer Curator of pre-Columbian Art at the Denver Art Museum. She curated the collections of pre-Columbian, African, Oceanic, and American Indian Art at the Cleveland Museum of Art for ten years, before moving to Denver in 1999. Dr. Young-Snchez earned B.A. and M.A. degrees in anthropology at Yale University and a doctorate in art history at Columbia University. Her exhibition Tiwanaku: Ancestors of the Inca opened in Denver in 2004.

Denise Pahl Schaan, Professor of Archaeology, Universidade Federal do Pará, Brazil, has directed several archaeological projects on Marajó Island.

The Amazon Basin is now recognized as a cradle of cultural and technological innovation in the ancient Americas. It was there that the hemisphere’s earliest known ceramics (ca. 5000 b.c.) were produced. Located at the mouth of the Amazon River in Brazil, Marajó Island was home to one of the region’s most populous and sophisticated ancient societies (a.d. 300–1300). Island chiefdoms built impressive mounds to support multifamily longhouses, ceremonial spaces, and cemeteries, and constructed channels, dams, and weirs to trap huge quantities of fish as the annual floodwaters receded. Aquaculture, rather than agriculture, provided the primary source of subsistence for the Marajó people. Their beautifully decorated ceramics reveal the skill and artistry of Amazonian potters and the complexity of their cosmology.

Lavishly illustrated, this volume presents ceramics from the Denver Art Museum, Barbier-Mueller Museums of Geneva and Barcelona, University of Pennsylvania Museum of Archaeology and Anthropology, American Museum of Natural History, and private collections. Included are boldly painted burial urns, delicately incised figures, intricately carved and painted jars, bowls, and plates, and unique circular ceramic stools. Margaret Young-Sánchez and Denise Pahl Schaan’s essays describe Marajó culture, ceramics, and funerary practices. Maps and photographs round out this important contribution to South American art history and archaeology.

Marajo: Ancient Ceramics from the Mouth of the Amazon

The Essential Guide to Mold Making & Slip Casting

It’s difficult to imagine how a self-published book could contain the hundreds of color photographs potter Martin uses to illustrate the very technical nature of mold making and slip casting. His three decades of studio experience stand behind this revised edition of his ultimate guide to the process of pouring liquid clay into a mold to shape a clay object—and ensure that the items, at least their size and dimensions, are identical. The book follows in logical detail all the need-to-know content, from tolls and materials to the different iterations of mold making as well as a troubleshooting guide. Steps are pictured in color, numbered, and captioned as companions to the narrative; occasional sidebars, lots of finished art ceramics, and five working artist portraits—Anne Kraus, Tom Spleth, Donna Polseno and Richard Hensley, and Richard Notkin—underscore the outcome of mastering these techniques. Plaster-mixing ratios, casting-slip recipes, and a glossary are appended. Jacobs, Barbara
Copyright American Library Association. All rights reserved

For potters, mold making is invaluable because it allows them to slip-cast identical multiples of their workand this newly revised, now in color edition of Andrew Martins classic is the definitive guide to the craft. No other volume has shown the processes in such how-to detail. Its overflowing with hundreds of photos, key techniques, projects, master artist profiles, and troubleshooting tips. A thorough introduction addresses materials and tools, and presents Martins simple, unique template method for making clay prototypes. Create easy one-piece molds to make tiles, bowls, and platters, or multi-piece molds for more complex forms. An extensive overview covers slip formulation, while offering highly desired slip recipes for low-, mid-, and high-fire clay bodies. This will be the standard reference in every ceramists library.

The Essential Guide to Mold Making & Slip Casting (A Lark Ceramics Book)










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